Eric-Paul Riege
Hammer Projects: Eric-Paul Riege, installation views, Hammer Museum, Los Angeles
November 13, 2022-February 19, 2023
Photo: Jeff McLane
November 13, 2022-February 19, 2023
Photo: Jeff McLane
Hammer Projects: Eric-Paul Riege, installation views, Hammer Museum, Los Angeles
November 13, 2022-February 19, 2023
Photo: Jeff McLane
November 13, 2022-February 19, 2023
Photo: Jeff McLane
Hammer Projects: Eric-Paul Riege, installation views, Hammer Museum, Los Angeles
November 13, 2022-February 19, 2023
Photo: Jeff McLane
November 13, 2022-February 19, 2023
Photo: Jeff McLane
+, 2021, mixed fibers, dimensions variable.
Prospect.5: Yesterday we said tomorrow, installation view, Contemporary Arts Center, New Orleans, 2021–22.
Courtesy Prospect New Orleans. Photo: Alex Marks
Prospect.5: Yesterday we said tomorrow, installation view, Contemporary Arts Center, New Orleans, 2021–22.
Courtesy Prospect New Orleans. Photo: Alex Marks
+, 2021, mixed fibers, dimensions variable.
Prospect.5: Yesterday we said tomorrow, installation view, Contemporary Arts Center, New Orleans, 2021–22.
Courtesy Prospect New Orleans. Photo: Alex Marks
Prospect.5: Yesterday we said tomorrow, installation view, Contemporary Arts Center, New Orleans, 2021–22.
Courtesy Prospect New Orleans. Photo: Alex Marks
+, detail view, 2021, mixed fibers, dimensions variable.
+, detail view, 2021, mixed fibers, dimensions variable.
run parallel with diyin+, hooghan and weaving dance (fig.3) for Na’ashjé'íí ́ Asdzáá, Retha, Effie, Angela, Hólǫ́—it xistz, my favorite things to be called r Son, yáázh, mijo–they remind Me of when u wove ur fingers thru My hair..meanwhile these poems bloomed..bury Me with these poems..when i wake again the flowers will call me Son, yáázh, mijo and ill remember when u wove ur fingers thru My hair, 2018-2021
Mixed fibers, photo sculpture
each panel: 55 × 26 × 2 inches (139.70 × 66.04 × 5.08 cm)
Mixed fibers, photo sculpture
each panel: 55 × 26 × 2 inches (139.70 × 66.04 × 5.08 cm)
run parallel with diyin+, hooghan and weaving dance (fig.3) for Na’ashjé'íí ́ Asdzáá, Retha, Effie, Angela, Hólǫ́—it xistz, my favorite things to be called r Son, yáázh, mijo–they remind Me of when u wove ur fingers thru My hair..meanwhile these poems bloomed..bury Me with these poems..when i wake again the flowers will call me Son, yáázh, mijo and ill remember when u wove ur fingers thru My hair, 2018-2021
Mixed fibers, photo sculpture
each panel: 55 × 26 × 2 inches (139.70 × 66.04 × 5.08 cm)
Mixed fibers, photo sculpture
each panel: 55 × 26 × 2 inches (139.70 × 66.04 × 5.08 cm)
run parallel with diyin+, hooghan and weaving dance (fig.3) for Na’ashjé'íí ́ Asdzáá, Retha, Effie, Angela, Hólǫ́—it xistz, my favorite things to be called r Son, yáázh, mijo–they remind Me of when u wove ur fingers thru My hair..meanwhile these poems bloomed..bury Me with these poems..when i wake again the flowers will call me Son, yáázh, mijo and ill remember when u wove ur fingers thru My hair, 2018-2021
Mixed fibers, photo sculpture
each panel: 55 × 26 × 2 inches (139.70 × 66.04 × 5.08 cm)
Mixed fibers, photo sculpture
each panel: 55 × 26 × 2 inches (139.70 × 66.04 × 5.08 cm)
HEAT thru from a pillow or a splinter filing a wrinkle thats a lil Shy..Dam..has it been this place all the time or was that blanket warm enough ? [//__//] [|-|] []=[] AND then the hide scrubbed clean and the shield didnt break anymore. . Burnt Water AZ—the pillow has been in that place all the time” — HÓLÓ, 2021
Mixed fibers and materials
101 1/2 x 49 1/2 x 2 inches (257.8 x 125.7 x 5.1 cm)
Mixed fibers and materials
101 1/2 x 49 1/2 x 2 inches (257.8 x 125.7 x 5.1 cm)
blankets have warmed us for a long time why not just keep making MORE. Make a blanket for a blanket—they get cold 2 ., 2021
Mixed fibers and materials
2 panels overall: 100 1/2 x 51 3/4 x 24 inches (255.3 x 131.4 x 61 cm)
Mixed fibers and materials
2 panels overall: 100 1/2 x 51 3/4 x 24 inches (255.3 x 131.4 x 61 cm)
(my god, YE’ii [1-2]) (jaatłoh4Ye’iitsoh [1–6]) (a loom between Me+U, dah ‘iistł’ǫ́), Installation view, Bockley Gallery, Minneapolis, 2021
(my god, YE’ii [1-2]) (jaatłoh4Ye’iitsoh [1–6]) (a loom between Me+U, dah ‘iistł’ǫ́), Installation view, Bockley Gallery, Minneapolis, 2021
Hólǫ́—it xistz, installation view, ICA Miami, 2019, Photograph by Frerik Nilsen Studio
Hólǫ́—it xistz, installation view, ICA Miami, 2019, Photograph by Frerik Nilsen Studio
Hólǫ́—it xistz, installation view, ICA Miami, 2019
Regalia for Hólo ́–it xistz and ...Son, yáázh, mijo..., 2019
Mixed media and fiber regalia
Worn in performances at ICA Miami, Miami, FL and Sanitary Tortilla Factory, Albuquerque, NM
Photograph by Silvia Ros
Mixed media and fiber regalia
Worn in performances at ICA Miami, Miami, FL and Sanitary Tortilla Factory, Albuquerque, NM
Photograph by Silvia Ros
Regalia for Hólo ́–it xistz and ...Son, yáázh, mijo..., 2019
Mixed media and fiber regalia
Worn in performances at ICA Miami, Miami, FL and Sanitary Tortilla Factory, Albuquerque, NM
Photograph by Silvia Ros
Mixed media and fiber regalia
Worn in performances at ICA Miami, Miami, FL and Sanitary Tortilla Factory, Albuquerque, NM
Photograph by Silvia Ros
Hólǫ́–it xistz, performance documentation, ICA Miami, Miami, FL, 2019
diyin+, hooghan and weaving dance (fig.3) for Na’ashjé'íí ́ Asdzáá, Retha, Effie, Angela, 2018
Casa Tomada, SITELines.2018 Biennial, SITE Santa Fe, Santa Fe, NM, Photograph by Eric Swanson
Casa Tomada, SITELines.2018 Biennial, SITE Santa Fe, Santa Fe, NM, Photograph by Eric Swanson
Casa Tomada, SITELines 2018 Biennial, performance documentation, SITE Santa Fe
my god, YE'ii [1], 2018
Digital collage and print on archival canvas
48 x 36 inches
Digital collage and print on archival canvas
48 x 36 inches
DiBÉ Hózhó Yitł’ó, 2017
pop-up mixed media and fiber installation and durational performance, University of New Mexico-Smith Plaza, Albuquerque, New Mexico, Photograph by Kaski Suzuki